Nerda Khara

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Wasli: making the paper before the painting

A standing figure in a pale robe and feathered turban on an ochre ground.

A miniature starts days before the first line. Wasli is several sheets of paper pasted together, pressed, dried, then burnished with a smooth stone until the surface is hard and faintly glossy.

That surface is what lets a wash sit thin and even, and lets a brush of only a few hairs draw a line that does not bleed. Without it, the detail people notice in a finished miniature would not hold.

I still prepare my own. It is slow, and it sets the pace for everything that follows.

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